About This Site

Why This Site Exists

“Voices on the Underground Railroad” is a collection of short narratives that Cornell University students have written and mapped on to documented and rumored underground railroad stations and safe houses in Central and Western New York.

The freedom seekers who narrate these stories are fictional, invented by students in Cornell’s “The Underground Railroad Seminar” and related courses. These narratives should not be considered actual testimonies. Instead, they are a sincere attempt to inhabit and explore the lived experience of freedom seekers — their fear and resilience in transit to a new life.

These fictionalized voices–honed after careful study of the classic slave narratives and the history of the underground railroad–permit us to imagine the thoughts and experiences of freedom seekers on their paths to liberation.

About The Stories

As a prerequisite for writing these fictional narratives, the students read, studied, discussed, and wrote about works such as, Frederick Douglass, Narrative of the Life of Frederick Douglass, An American Slave (1845); The History of Mary Prince, a West Indian Slave (1831), related by herself; Solomon Northup, Twelve Years a Slave (1853); Harriet Jacobs, Incidents in the Life of a Slave Girl (1861); Kate Clifford Larson, Bound for the Promised Land (2003); and Eric Foner, Gateway to Freedom: The Hidden History of the Underground Railroad (2015).

Actual testimonies of freedom seekers are exceptionally rare. The activities of the Underground Railroad constituted civil disobedience that was undertaken in the most clandestine ways possible, and especially after the passage of the Fugitive Slave Law of 1850, which made helping freedom seekers to avoid recapture a punishable federal crime. Given the need to protect the identities of those who passed through or assisted others on the underground railroad, it is no surprise that narratives that attempt to describe the experience of being on the underground railroad are primarily fictional.

In keeping with the Family Educational Rights and Privacy Act (FERPA), the authors of these brief narratives have employed aliases to protect their identities.

Student Interviews

Reflections on the writing process and “historical empathy” by two Cornell undergraduate authors of Voices on the Underground Railroad.

Have you done creative writing before? Was this a challenging assignment?

Anonymous Student #1 Response

Yes, I’ve done small creative writing assignments before in my high school literature/writing courses but I never really enjoyed creative writing or the process for that matter.

Anonymous Student #2 Response

I have done creative writing in the past, but this was a uniquely challenging assignment in that it required a degree of empathy and reflection that other writing projects have not required of me. Producing a short piece of historical fiction was a new experience for me, and required me to ground stylistic/creative elements in a foundation of historical accuracy.

Each story seems inspired by a location from Walter Gable’s “Uncovering the Underground Railroad in the Finger Lakes” — can you talk about how the location inspired or influenced your story?

Anonymous Student #1 Response

At the location that I used to write my story, there was an excerpt attached to the location that talked about this space in the yard that was partitioned for the fugitives to hide in. It was covered by hay and in one particular instance, a fugitive was stabbed by the slavecatchers but didn’t get caught. I used that in my story to display the strength that my predecessors had to display at that time, despite the pain that they were enduring. Additionally, there was talk about a hidden attic space that was listed in the description of the location. I used that as one of the places where the slaves hid out for a majority of the story.

Anonymous Student #2 Response

The safehouse featured in my story was the object of compelling accounts of the Underground Railroad, and I incorporated this oral tradition into my own story, in part to highlight the enduring influence of these oral histories on our understanding of the Underground Railroad. Gable’s work also describes how the house’s purported hiding space would have offered little insulation or comfort to freedom seekers, and I incorporated this into my story as well.

What kind of research helped you write your story?

Anonymous Student #1 Response

Because I’ve never seen an actual rumored house on the underground railroad, I’ve seen other places (like churches, community centers, etc.) I had to research what the homes of abolitionists looked like at that time; what homes looked like during that time, in general, especially in upstate NY. I also had to read more slave narratives, draw on the depictions of slaves I’ve seen in movies, read about in books, on videos, etc. so that I could better understand the diction that they used. Getting the language wasn’t hard because it is the root of AAVE (African American Vernacular English) that many Black identifying people use today. I just needed to make it authentic. In terms of the mental process, I had to put myself in the main character’s shoes. I had to think about how it would feel to travel through snow and rain, and walk through mud, and miss my family. I had to envision how it would feel to go weeks on end without food/water.. which was incredibly difficult. In terms of the writing process, I didn’t do many revisions to the story. I really just flowed from my first draft, which came about from writing what felt right. Of course, I made grammatical changes and changes to make the story flow better, but the content remained the same. I wrote what came from my heart, as cliche as that sounds!

Anonymous Student #2 Response

I drew on the texts we had read during the seminar to craft a believable situation. We read several slave narratives, including Narrative of the Life of Frederick Douglass, The History of Mary Prince, A West Indian Slave, and Harriet Jacobs’ Incidents in the Life of a Slave Girl, and these afforded me an invaluable glimpse into the inner life of these individuals, the horrors of slavery and the experience of slave women. They helped me better appreciate the headspace of a young freedom seeker as well as the challenges she might face and the memories she would contend with. Eric Foner’s Gateway to Freedom painted a detailed portrait of the anti-slavery movement and the Underground Railroad in NYS, and was exceedingly helpful for understanding the logistics of the Underground Railroad.

What was it like to write from the perspective of a freedom seeker? What was the most difficult part?

Anonymous Student #1 Response

Writing from Anabelle’s perspective was so difficult. Simply because I’ve never in my life experienced struggle the way that she experienced it. Becoming her mentally was incredibly difficult and it pushed me to think outside of myself.. outside of the privilege I’ve been given as a result of her struggle. I think the most difficult thing was envisioning that battle with fear and courage she was having. The battle she was going through with looking back at the past and wanting to return but having no choice but to move forward.

Anonymous Student #2 Response

This assignment was a very effective exercise in “historical empathy,” and tested my assimilation and internalization of the course materials. It was both a challenge and an honor to write a story from the point of view of a young freedom seeker. The physical and emotional toll of being a fugitive was a focus of my story, and it required that I think critically in order to understand her thought processes and sensory experiences.

What did you discover — about the experience of freedom seekers or abolitionists, or about the underground railroad itself — in writing your story?

Anonymous Student #1 Response

I discovered that the underground railroad had to be incredibly challenging to go through alone but also difficult to go through in a group, as a fugitive that is. I take my hat off to Harriet Tubman.. for many different reasons because she did it alone but also brought groups through it for so many years. And you are only as strong as your weakest link, which I tried to display in my story. The underground railroad is no easy feat, for all parties involved.

Anonymous Student #2 Response

Learning in detail about how the Underground Railroad operated was especially illuminating for me. It was a vast network to which a diverse group of people contributed, sometimes spontaneously, and ordinary citizens played as crucial a role (if not more so) in its everyday functioning as figureheads of the antislavery movement such as Lewis Tappan or William Lloyd Garrison. David Ruggles, one of the founders of the New York Vigilance Committee and its leader in the 1830’s, referred to the work of helping fugitives as “practical abolition.” Escaping along the Underground Railroad required enormous courage and I had the opportunity to explore the attendant challenges and sacrifices (leaving family behind) through my story.

Did writing the story change your perspective in any way? Do you see this area of NY State differently now? If so, how?

Anonymous Student #1 Response

Writing my story made me have even more respect for my ancestors, which I didn’t think was possible because I respected them so much already. In terms of NY state, it made me see it in a much more progressive light, which I didn’t think was possible because NY is already pretty progressive. It also made me look at it outside of just the lens of Cornell but also in a more historical lens. It made me appreciate the history, especially in upstate NY, the Ithaca area, and surrounding cities. I appreciate it more.

Anonymous Student #2 Response

I am honored to go to school in a region with such a rich history of progressive thought. The antislavery movement, Seneca Falls, the Great Awakening, and other reform movements of the nineteenth century were centered here, and Cornell was founded out of that same spirit of progressivism and reform. We tend to think of Ithaca as a sleepy town and Cornell as a rural university, but at its founding it was at the heart of this relevant and dynamic region and exemplified the important conversations taking place there.

Other Credits

Actors in stories:

Sylvie Yntema in “Stay Together Children” produced by Julia Beitel

Jum Warritay in “The Lantern” produced Gloria Cai

Bertrand J. Odam-Reed and Jessica Ness in “William and Frances Seward House” produced by Bertrand J. Odam-Reed

Jo-Louis Hallback in “Stolen Cargo on Lake Cayuga: The Simeon DeWitt” produced by Gordi Tenev

Sherron Brown in “The Life of Minnie Barnes” produced by Gori Tenev

Carley Robinson in “Longing to Let Go” produced by Luke Ellis

Sylvie Yntema in “Beyond the Clouds, Bless the Children, Be the Change” produced by Gori Tenev

Leroy Barrett in “Esperanza” produced by Odessa Thompson

Jo-Louis Hallback in “Breaking the Chains of Bondage” produced by Aaron Beiderman

Stories produced in collaboration with Civic Ensemble

Director of audio stories:

Carley Robinson

Opening music credit:

Nightcrossing by James Copperthwaite (PRS) | Jonathan Buchanan (PRS)

Publisher:

Audio Network Limited

Cinematography and Photography:

Shira Evergreen